The Art of Katrina Teh

Katrina Teh is a Manila-based visual artist who is currently an Illustration student at SCAD HK. She had previously graduated from the UP College of Fine Arts. This is a collection of work, past and present. She mainly blogs at her wordpress

For inquiries, feel free to email to katrinakteh(at)gmail.com or ask me a question.
Also feel free to view the online folio and my wordpress.♥
The Tiger & the Lotus Trap
What you see is a work in progress. I can’t imagine how it’s going to end up full colored but I will be working on it extensively since it’s for a friend’s project that is due to launch this September. Hope you’d watch out for it!

The Tiger & the Lotus Trap

What you see is a work in progress. I can’t imagine how it’s going to end up full colored but I will be working on it extensively since it’s for a friend’s project that is due to launch this September. Hope you’d watch out for it!

Blooms & Bounds (pre-painting draft)by Katrina Teh

Blooms & Bounds (pre-painting draft)
by Katrina Teh

rosa
Mashup of stocks I drew as flourishes for a contest I failed to enter. All of the sudden I was asked to participate in an exhibition next Saturday so I had to drop the project. Will update once the posters are released :)

rosa

Mashup of stocks I drew as flourishes for a contest I failed to enter. All of the sudden I was asked to participate in an exhibition next Saturday so I had to drop the project. Will update once the posters are released :)

My clientelle obligations are gradually becoming less and less stressing and I finally found time to start drawing (THANK GOD). I’m slated to do a painting commission which I’m dying to start on. Along with that, I look forward to priming canvases for my own personal use by next week. That and I finally get to write up some stylesheets for my own personal sites and domains.
This here is a work in progress for a group exhibition that I hope would push through. Getting to work with my hands after days of coding in front of a monitor would be a great relief.

My clientelle obligations are gradually becoming less and less stressing and I finally found time to start drawing (THANK GOD). I’m slated to do a painting commission which I’m dying to start on. Along with that, I look forward to priming canvases for my own personal use by next week. That and I finally get to write up some stylesheets for my own personal sites and domains.

This here is a work in progress for a group exhibition that I hope would push through. Getting to work with my hands after days of coding in front of a monitor would be a great relief.

2008

2008

lily.

lily.

More from Dimasalang (vines? tenctacles?)

More from Dimasalang (vines? tenctacles?)

The flower vendors called them Mickey Mouse.

The flower vendors called them Mickey Mouse.

Got to go to Dimasalang, the flower street. I was on a mission to take references for a very important project. Though blossoms are such beautiful subjects, I’ve been better taken by the other curious shapes and textures I’ve seen there.

Got to go to Dimasalang, the flower street. I was on a mission to take references for a very important project. Though blossoms are such beautiful subjects, I’ve been better taken by the other curious shapes and textures I’ve seen there.

A drawing a drew several weeks back in a trip to Baguio with the most awesome art buddies ever. I am not too happy with how this turn out but I very much want to rehash it into the painting.
I have a fondness for themes like duality, the obscured and the notion of hidden selves. Before, it was a practice of mine to draw my feminine subjects with their eyes or general expressions obscured. Lately they have begun to take on more tangible forms. Despite this development, I grow tired of drawing people (gasp!). What has inspired me for the past few are actually trees and their varying structural formations. Nature is a used concept, but the romance of it will never die- at least that’s what I think! :D

A drawing a drew several weeks back in a trip to Baguio with the most awesome art buddies ever. I am not too happy with how this turn out but I very much want to rehash it into the painting.

I have a fondness for themes like duality, the obscured and the notion of hidden selves. Before, it was a practice of mine to draw my feminine subjects with their eyes or general expressions obscured. Lately they have begun to take on more tangible forms. Despite this development, I grow tired of drawing people (gasp!). What has inspired me for the past few are actually trees and their varying structural formations. Nature is a used concept, but the romance of it will never die- at least that’s what I think! :D

even when the skies are gray. always.

even when the skies are gray. always.

Another old sketch post to break the silence.
I have new ones but they’re still waiting for ink :(

Another old sketch post to break the silence.

I have new ones but they’re still waiting for ink :(

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Credits
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Creative Commons License

All work by Katrina Kao Teh is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.


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